5/19/10
SCHEDULE WEEK 10
5/13/10
SCHEDULE WEEK 9
SCHEDULE WEEK 8
- Blue Guide, 403-17;
- Howard Hibbard, “Bernini in Command,” in Hibbard, Bernini (Harmondsworth, 1965), 68-88;
- Estelle Lingo, “Mochi’s Edge,” Oxford Art Journal 32 (2009): 1-16.
- Augenti, 175-80;
- Blue Guide, 181-91;
- Howard Hibbard, Bernini, 23-67;
- Andrea Bolland, “Desiderio and Diletto: Vision, Touch, and the Poetics of Bernini’s Apollo and Daphne,” The Art Bulletin 82 (2000): 309-30.
- From the Campo area, you can take the 64 or the 40 and get off at Piazza della Repubblica.
- From Trastevere you can take the H from Viale Trastevere and get off at Piazza della Repubblica.
- Blue Guide, 235, 215-19;
- Michael J. Call, “Boxing Teresa: The Counter-Reformation and Bernini’s Cornaro Chapel,” in Woman’s Art Journal 18 (Spring-Summer 1997): 34-39;
- Joseph Connors, “Bernini’s Sant’Andrea al Quirinale: Payments and Planning,” in The Journal of the Society of Architectural Historians 41 (1982): 15-37.
- Augenti, 194-97;
- Blue Guide, 172-77, 209-11;
- Christopher Johns, “The Entrepôt of Europe: Rome in the Eighteenth Century,” in Art in Rome in the Eighteenth Century, ed. Edgar Peters Bowron, Joseph J. Rishel, et. al., New York and London, 2000, 17-46;
- John Pinto, “A fluid synthesis: Nicola Salvi’s Program for the Trevi Fountain in Rome,” in Struggle for Synthesis: The Total Work of Art in the Seventeenth and Eighteenth Centuries, Lisbon, 1999, 541-550.
5/6/10
SCHEDULE WEEK 7
- Blue Guide, 159-65;
- Charles Dempsey, “The Carracci Reform of Painting,” in The Age of Correggio and the Carracci, exh. cat. Washington, 1986, 237-54;
- Pamela Jones, “The place of poverty in Seicento Rome: bare feet, humility, and the pilgrimage of life in Caravaggio’s Madonna of Loreto (ca. 1605-6) in the church of S. Agostino,” (excerpt) in Altarpieces and their Viewers in the Churches of Rome from Caravaggio to Guido Reni, Aldershot, 2008, 103-129.
- Blue Guide, 521-34;
- Indra Kagis McEwen, “Hadrian's Rhetoric II: Thesaurus Eloquentiae, the Villa at Tivoli,” RES 25 (Spring 1994): 51-60;
- Claudia Lazzaro, “Tivoli’s Ancient Waters Revived,” in The Italian Renaissance Garden, New Haven and London, 1990, 215-42.
- Augenti, 166-69;
- Ingrid Rowland, “Render unto Caesar the Things which are Caesar’s: Humanism and the Arts in the Patronage of Agostino Chigi,” in Renaissance Quarterly 39 (Winter 1986): 673-94 (excerpt);
- Charles Dempsey, “‘Et nos cedamus amori’: Observations on the Farnese Gallery,” The Art Bulletin, 50 (1968): 363-74.
- Blue Guide, 340-41;
- Rudolf Wittkower, Art and Architecture in Italy 1600-1750, 6th ed., rev. by Joseph Connors and Jennifer Montagu, New Haven, 1999, vol. 1, 46-54;
- Pamela Jones, “Leading pilgrims to paradise: Guido Reni’s Holy Trinity (1625-26) for the church of SS. Trinità dei Pellegrini e Convalescenti and the care of bodies and souls,” (excerpts) in Altarpieces and their Viewers in the Churches of Rome from Caravaggio to Guido Reni, Aldershot, 2008, 261-91, 305-17.
4/28/10
SCHEDULE WEEK 6
- Sara Nair James, Signorelli and Fra Angelico at Orvieto, Aldershot, 2003 , 10-21, 130-46;
- Rudolf Wittkower, Art and Architecture in Italy 1600-1750, 6th ed., rev. by Joseph Connors and Jennifer Montagu, New Haven, 1999, vol. 1, 89-95;
- Marietta Cambareri, “Francesco Mochi’s Annunciation Group for Orvieto Cathedral,” The Sculpture Journal 6 (2001): 1-9.
- Augenti, 123-39;
- John O’Malley, “The Theology behind Michelangelo’s Ceiling,” in The Sistine Chapel. The Art, the History, and the Restoration, 92-148;
- Ingrid Rowland, “The Vatican Stanze,” in The Cambridge Companion to Raphael, ed. Marcia Hall, New York and Cambridge, 2005, 95-114.
- STUDENTS 25 AND YOUNGER: please bring either your international student identification card OR UW Husky card and photo ID stating your age (passport or license).
- Augenti, 158-59;
- Jodi Cranston, “Tropes of Revelation in Raphael’s Transfiguration,” in Renaissance Quarterly 56 (2003): 1-25;
- Hans Henrik Brummer, “On the Julian program of the Cortile delle Statue in the Vatican Belvedere,” in Il Cortile delle Statue: der Statuenhof des Belvedere im Vatikan, ed. Matthias Winner, Mainz, 1998, 67-76.
- 9AM in 3rd floor classroom, UWRC Palazzo Pio
- 1:45 PM in Piazza del Quirinale next to the Horse-tamers sculptures. You can approach it either from Via Nazionale or by taking the steps on Via della Dataria near the Trevi Fountain. Plan your route using a map.
- Rudolf Wittkower, Art and Architecture in Italy 1600-1750, 6th ed., rev. by Joseph Connors and Jennifer Montagu, New Haven, 1999, vol. 1, 19-26;
- Genevieve Warwick, “Introduction: Caravaggio in History,” in Warwick, ed., Caravaggio: Realism, Rebellion, Reception, Newark, DE, 2006, 13-22.
4/23/10
SCHEDULE WEEK 5
- Blue Guide, 290-93, 380-83;
- Howard Hibbard, “Ut picturae sermones: The First Painted Decorations of the Gesù,” in Baroque Art: The Jesuit Contribution, ed. Rudolf Wittkower and Irma Jaffé, New York, 1972, 29-49;
- Maryvelma Smith O’Neil, “Stefano Maderno’s Saint Cecilia: A Seventeenth Century Roman Sculpture Remeasured,” Antologia di Belle Arti 25-26 (1985): 9-21;
- John Paoletti and Gary Radke, “The Demands of the Council of Trent,” in Paoletti and Radke, Art in Renaissance Italy, 3rd ed., Upper Saddle River, 2005, 513-26.
- Blue Guide, 294-98;
- Stuart Lingo, Federico Barocci, 1-9, 84-89, 165-77;
- Georgia Wright, “Caravaggio’s Entombment Considered In Situ,” in Art Bulletin 60 (March 1978): 35-42;
- Hans Belting, Likeness and Presence, Chicago, 1984, 484-90 (plus notes and appendix).
- Blue Guide, 128-134, 305-06;
- Augenti, 105-121;
- John Onians, Bearers of Meaning: The Classical Orders in Antiquity, the Middle Ages, and the Renaissance, Princeton, 1988, 192-206 (“A New Christian Architecture”);
- Ludwig Heydenreich, Architecture in Italy 1400-1500, New Haven and London, 1996 (first publ. 1974), 67-73 (“Palazzi”).
4/16/10
SCHEDULE WEEK 4
Monday - April 19, 2010
Topic: Art H 497 - Lay Piety and the New Art: Confraternities and Oratories in later Renaissance Rome
Meet: 9AM, 3rd floor classroom, UWRC Palazzo Pio
Reading:
- Barbara Wisch, “The Passion of Christ in the Art, Theater, and Penitential Rituals of the Roman Confraternity of the Gonfalone,” in Crossing the Boundaries: Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities, Kalamazoo, 1991, 237-62;
- Barbara Wisch, “New Themes for New Rituals: the “Crucifixion” Altarpiece by Roviale Spagnuolo for the Oratory of the Gonfalone in Rome,” in Barbara Wisch and Diane Cole Ahl, eds. Confraternities and the Visual Arts in Renaissance Italy: Ritual, Spectacle, Image, Cambridge and New York, 2000, 203-34.
Tuesday - April 20, 2010
Topic: Art H 397 - Mosaics of Rome: Santa Maria Maggiore, Santa Pudenziana, and Santa Prassede with the San Zeno Chapel
Meet: 9AM in front of Santa Maria Maggiore
We will pass out bus tickets on Monday at the end of class. From the Largo Argentina or Corso Vittorio Emanuelle, take the number 70 bus heading to Giolitti. There is a Santa Maria Maggiore stop. It's a good idea to bring your city maps this day, just in case.
Presentations:
Santa Maria Maggiore - Erin
Santa Pudenziana - Emma
Reading:
- Blue Guide, 245-254;
- Augenti, 72-78;
- Thomas Mathews, “Larger-than-Life,” in The Clash of Gods: a Reinterpretation of Early Christian Art, Princeton, 1999, 92-114;
- Peter Brown, review of Mathews in Art Bulletin 77 (Sept. 1995): 499-502; Thomas Mathews, “Reply to Peter Brown,” in Art Bulletin 78 (March 1996): 178;
- Marianne Wirenfeldt Asmussen, “The Chapel of S. Zeno in S. Prassede: New Aspects of the Iconography,” in Analecta Romana Instituti Danici 15 (1986): 67-86.
Wednesday - April 21, 2010
Meet: 9AM, 3rd floor classroom, UWRC Palazzo Pio
Midterm exam Art H 497
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Thursday - April 22, 2010
Topic: Art H 397 - Basilicas of Trastevere: Santa Maria in Trastevere, Santa Cecilia, and the work of Pietro Cavallini
Meet: 9AM at the fountain in Piazza Santa Maria in Trastevere
Reading:
- Blue Guide, 372-375, 380-383;
- Augenti, 92-103;
- Dale Kinney, “Spolia from the Baths of Caracalla in Sta. Maria in Trastevere,” Art Bulletin 68 (1986): 379-397;
- Paul Hetherington, “The mosaics of Pietro Cavallini in Santa Maria in Trastevere,” in Journal of the Warburg and Courtauld Institutes 33 (1970): 84-106.